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Coins as cultural texts in the world of the New Testament / [manuscript] / by David H. Wenkel.

By: Material type: TextTextSeries: T & T Clark Biblical Studies | T & T Clark biblical studiesPublisher: London : Bloomsbury T&T Clark, An imprint of Bloomsbury Publishing Plc, 2017Copyright date: ♭2017Description: xxv, 195 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780567682642 (pbk) :
  • 0567670732 (hbk)
Subject(s): DDC classification:
  • 737.49 23
LOC classification:
  • CJ255 .W46 2017
Contents:
Coins as cultural texts -- Coins as speech-acts -- Coins as currenty -- Coins as contect -- Payment and trust -- Paymnet and fear -- Payment and taxes -- Propaganda and inscriptions -- Propaganda and dating -- Propaganda and Roman images -- Propaganda and Jewish images -- Propaganda and metallurgy -- Power and identity -- Power and presence -- Power and production -- conclusion -- Appendix: events related to first-century numismatics.
Summary: Coins have long been a vital part of the discipline of classical studies of the ancient world. However, many scholars have commented that coins have not been adequately integrated into the study of the New Testament. This book provides an interdisciplinary gateway to the study of numismatics for those who are engaged in biblical studies. Wenkel argues that coins from the 1st century were cultural texts with communicative power. He establishes a simple yet comprehensive hermeneutic that defines coins as cultural texts and explains how they might be interpreted today. Once coins are understood to be cultural texts, Wenkel proceeds to explain how these texts can be approached from three angles. First, the world in front of the coin is defined as the audience who initially read and responded to coins as cultural texts. The entire Roman Empire used coins for payment. Second, the world of the coin refers to the coin itself - the combination of inscriptions and images. This combination of inscription and image was used ubiquitously as a tool of propaganda. Third, the world behind the coin refers to the world of power and production behind the coins. This third angle explores the concept of authorship of coins as cultural texts.
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Holdings
Item type Current library Call number Status Barcode
Books Books Ethiopian Graduate School of Theology Library Available at Circulation Section 737.49 Wen 2017 (Browse shelf(Opens below)) Available 20829

Includes bibliographical references (pages 176-188) and indexes.

Coins as cultural texts -- Coins as speech-acts -- Coins as currenty -- Coins as contect -- Payment and trust -- Paymnet and fear -- Payment and taxes -- Propaganda and inscriptions -- Propaganda and dating -- Propaganda and Roman images -- Propaganda and Jewish images -- Propaganda and metallurgy -- Power and identity -- Power and presence -- Power and production -- conclusion -- Appendix: events related to first-century numismatics.

Coins have long been a vital part of the discipline of classical studies of the ancient world. However, many scholars have commented that coins have not been adequately integrated into the study of the New Testament. This book provides an interdisciplinary gateway to the study of numismatics for those who are engaged in biblical studies. Wenkel argues that coins from the 1st century were cultural texts with communicative power. He establishes a simple yet comprehensive hermeneutic that defines coins as cultural texts and explains how they might be interpreted today. Once coins are understood to be cultural texts, Wenkel proceeds to explain how these texts can be approached from three angles. First, the world in front of the coin is defined as the audience who initially read and responded to coins as cultural texts. The entire Roman Empire used coins for payment. Second, the world of the coin refers to the coin itself - the combination of inscriptions and images. This combination of inscription and image was used ubiquitously as a tool of propaganda. Third, the world behind the coin refers to the world of power and production behind the coins. This third angle explores the concept of authorship of coins as cultural texts.

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